Update in Aug 13, 2010

Related Literatures

- Richard Vine, "Beijing Confidential-Xing Danwen", Art in America, Feb 2010, USA, p84-93
- Madeleine Eschenbury, "Xing Danwen: Revealing the Masquerade of Modernity", YISHU,
   Vol 8 / Number 4, Jul/Aug 2009, Canada, p51-66
- Bokyung Kim, "Xing Danwen", Monthlyphoto, Aug 2009, Korea, p114-125
- Paul Flynn, "Xing Danwen", Artist Profile, issue 7, April, 2009, Australia
- Gu Zheng, "", Artco Magazine, July 2008, TaiWan, p64-73 & the Cover
- book New China New Art by Richard Vine, Prestel Publishing Ltd., ISBN 978 3 7913 3942
   92008, 2008
- book AVATARS AND ANTIHEROES by Claudia Albertini, Kodansha International, ISBN:
   978-4-7700-3071-9, 2008
- book China Art Book by Uta Grosenick & Caspar H·Schübbe, Dumont publisher, ISBN:   
   978-3-8321-7769-0, 2007
- book China Onward-The Estella Collection, Frsnces Bowles, Louisiana Museum of Modern
   Art, ISBN: 87-91607-38-8, 2007
- book ARTWORKS-The Progressive Collection by Toni Morrison, Meridian Printing, ISBN:
   978-933045-72-6, 2007, p251
- Richard Vine, 'Through a Chinese Lens', magazine Art in America, June/July 2005, USA,
   p98-103
- Qing Pan, 'Review: On the Edge', magazine Yishu Journal, Summer/June 2005, Canada,
   p99-105 & the Cover
- Michele Champenois, "Objectifs Chinois", Le Monde, Supplement Samedi 5 mars 2005,  
   p42-53, France
- "MAAP 2004 in Singapore: defying gravity", Real Time, October-November, No.63, 2004,
   p36 & Cover
- Felicia Feaster, ‘Strange Beauty’, magazine Creative Loafing, Nov.4, 2004, USA
- Catherine Fox, ‘News: Photographer captures Chinese turmoil’, The Atlanta Journal- 
   Constitution, Oct.21, 2004, USA
- Christian Orsatelli, ‘Xing Danwen: Urban Fiction /Duplication /disCONNEXION’, Nouveaux
   Regards Photographie, No.2 Juillet-aout 2004, Franc, p8-9
- Genevieve Breerette, "Galeries - Regard de Chine", LEMOND - CULTURE, Saturday June
   5, 2004, France
- Interview, "Isabel Carlos, Artistic Director of the 2004 Biennale of Sydney, in  
   conversation with Felicity Fenner", magazine Art & Australia, Vol.41 Winter/No.4 2004,   
   p556-559
- Shin-yi Yang, ‘Insulation-the Wonder of Electronical Garbage and the Composition of     
   Xing Danwen’, magazine CHINESE ART, Vol.35, No.2, 2004, p62-63 & cover
- Christophe Ginisty, ‘L’édification collective’, magazine MINOTAURE, Vol.5, March-April,
   2004, France, p144-145
- Barbara Pollack, ‘Beyond Stereotypes’, magazine Art News, Vol. 103/ Number 2,      
   February 2004, USA, p98-103 & cover
- ‘disCONNEXION’, magazine 32BNY /PAMPHLET ARCHITECTURE, Issue 3, 2003, USA, p24-
   25
- Ophelia Huang & ShuWen, ‘American Effects, the Goal & the Way’, magazine Art World,
   Oversea, Vol. 164, January 2004, China, p70-73
- Stuart Luman, ‘Unplugged’, magazine WIRED, Play - Culture/Gear/Obsessions/Arts,      
   11.12, December 2003, USA, p90
- Eleanor Heartney, "America, Real and Imagined", Art in America magzine review, No. 9,
   September 2003, USA p102-103
- Richard Vine, "Report from China", Art in America magzine review, No. 9, New York,     
   September 2003, USA, p41-49
- Reena Jana, "The American Effect", ART news magazine reviews, Vol. 102/No. 8,         
   September 2003, USA, p132
- Fabrice Rousselot, "48 artistes étrangers passent, les Etats-Unis au crible", LIBERATION
   reviews on Culture, Lundi 7 Juillet 2003, France
- Grace Glueck, "Subject is U.S., Object is Art", New York Times reviews on Fine Art

   Leisure, Friday July 4, 2003, USA
- Danwen Xing, "How Do We Look?", New York Times OP-ED Saturday, June 21, 2003, USA
- Lawrence Rinder, "the American Effect", the American Effect- the Global Perspectives on
   the United States 1990-2003, exhibition catalogue by the Whitney Museum of American
   Art, publisher ABRAMS, New York, 2003, p16-17, 27, 60-63, 198, 209
- None author, "Scary World", magazine étapes, Vol. 97, June 2003, France, p4-5

Related Exhibitions

2010, "ZUR NACHAHMUN GEMPFOHLEN! Expeditionen in Ästhetik & Nachhaltigkeit",                       Uferhallen Berlin, Germany
          (EXAMPLES TO FOLLOW! Expeditions in aesthetics & sustainability)
2009, "A Round Trip", Galerie SOLLERTIS, Toulouse, France (solo)
2008, The City Fairy, Korea Art Center, Busan, Korea (solo)
2009, "Memory of Muse--contribution exhibition for Pink Ribbon", Wall Art Museum,
          Beijing, China
2008, "Mined in China", Houston Center for Photography, Houston, TX, USA
2008, "Chine, la ville exp(l)osée", Cité de l'architecture et du patrimoine, Paris, France;
          Centre de cultura contemporania de barcelona, Barcelona, Spain
2007, "Convection", Three Shadows Photography Art Centre, Beijing, China
2007, "Contemporary Artists from China", Gow Langsford Gallery, Corner Kitchener and
          Wellesley Street , Auckland, New Zealand
2007, "Altered States: Views of Transition in Recent Photography", Tisch Gallery/
          AIDEKMAN ARTS CENTER, USA
2006, "New Urban Realities", Museum Boijmans Van Beuningen, Rotterdam, The     
          Netherlands
2006, "Code:Blue-Confluence of Currents", New Media Center/Beijing Cubic Art Center,
          Beijing, China; the ISEA 2006 / ZeroOne Festival, San Jose, California, USA
2006, "IMAGING A GLOBAL CULTURE", CONTACT Photography Festival, Subway ST.
          PATRICK STATION, Toronto, Canada
2006, "CHINA TRADE", International Centre for Contemporary Asian Art, Vancouver,     
          Canada
2006, "On the Edge", Davis Museum and Cultural Center, Wellesley College,
          Massachusetts; Indianapolis Museum of Art, Indianapolis, USA
2006, "MADE in CHINA", Museum of Contemporary Photography, Chicago, USA
2006, "disCONNEXION/duplication", Chinese Museum, Melbourne, Australia (solo)
2006, "Ruins", the Institute of Visual Arts (Inova) / UWM Peck School of the Arts,   
          Wisconsin, USA
2006, "disCONNEXION/duplication", the Chinese Museum, Melbourne, Australia (solo)
2005, "Double Vision" Lianzhou Photo Festival, Lianzhou, Guangdong, China
2005, "More than One", Gow Langsford Gallery, Auckland, New Zealand
2005, "On the Edge”, the Cantor Center for Visual Arts, Stanford University, California,
          USA
2004, "disCONNEXION", Kiang Gallery, Atlanta, USA (solo)
2004, "dis+dup", Gow Langsford gallery, Sydney, Australia (solo)
2004, “Gravity”, the Singapore Art Museum, Singapore
2004, “disCONNEXION”- solo show, the Kiang Gallery, Atlanta, USA
2004, “ON REASON AND EMOTION”, the Biennale of Sydney, Sydney, Australia
2004, “dis+dup”- solo show, the Gow Langsford Gallery, Sydney, Australia
2004, "Urban Fiction"- solo slow, the Galerie Piece Unique, Paris, France
2004, "Globlia", Frauen Museum, Bonn, Germany
2003, "Global Detail", Noorderlicht Photo Festival, the Netherlands
2003, “Alors, la Chine?”, Goerge Pompidou Centre, Paris, France
2003, "Chinese Maximalism", UB Art Gallery, Buffalo, U.S.A / Millennium Art Museum,
          Beijing, China
2003, “the American Effects”, the Whitney Museum of Art, New York, USA

Public Collection

- Whitney Museum of American Art, New York
- The Progressive Corporation, USA
- JGS Foundation, New York
- Estella Collection, New York
- ICP, International Center for Photography, New York
- the Smart Museum of Art, Chicago
- The J. Paul Getty Museum, Los Angeles